craft of writing resources essay
Conversations with Audre Lorde. Indd 26 published insight to what may seem a bit of landscape-decide whether it is actually able to help explain the point of space that lay lightless between the usages. Paz, Octavio. This following list is an expansion of a post I started on my own blog to catalog what writing resources are out there that have been written, edited, or presented by other writers of color (if you are aware of other texts, essays, and resources that should be listed, please post in the comments and I’ll add them in). This means that it is a skill acquired by study, practice, and perseverance. Paz, Octavio. 1985.].
“In Defense of the Canon, or, A Darkly Defense of Dead White Males.” Warren Wilson MFA Lectures. Jan 2000. The Art of Daring: Risk, Restlessness, Imagination. [2015-09-14] Cheng, Jennifer S. "What's in a Name?," Guernica. “Choosing Texts,” Pleiades (Jan 10, 2017).
“The Race Within Erasure.” Literary Arts, Portland, OR. Johnson, Charles. [2017-08-10] - Added essay by Solmaz Sharif. “On Workshop Strife,”, Salesses, Matthew.
“MFA vs POC,” The New Yorker. University of Michigan Press. 2007.
[2015-09-14] Rao, Sameer. On Race Appropriation (MDH / 'Yi-Fen Chou' BAP 2015 Scandal). 1998. New Directions. Diaz's article led to a number of responses from well-known writers of color as well as current and former creative writing workshop students who had witnessed or experienced similar things. Jul 2012. Abani, Chris. "After Yi-Fen Chou: A Forum, 19 writers respond to Michael Derrick Hudson's yellowface," The Margins, Asian American Writers Workshop.
"The 'Yi-Fen Chou' Poetry Scandal Goes Beyond 'Yellowface',", Ha, Thu-Huong. A Phone Call from Paul (podcast). Lewis, Robin Coste. “MFA vs POC Response,” Speak No Evil Forum, Asian American Literary Review. Sharif, Solmaz. Perez, Craig Santos. Arcade Publishing.
“We Need New Metaphors: Reimagining Power in the Creative Writing Workshop,”, Lee, Christine Hyung-Oak. The Critical Flame: A Journal of Literature & Culture (04/06/2017). The African American Guide to Writing & Publishing Non Fiction. University of Texas Press. If you’re writing a full 20 mark response, sketch out your 2-3 part plot structure or your essay structure If you’re responding two a two part question, think about the full plot of your narrative and then decide where you’ll stop Note the technique or device you need to employ (eg.
How Dare We Write: A Multicultural Creative Writing Discourse. Cheng, Jennifer S. "The Poetics and Politics of Refraction," Jacket 2 (07/06/2016). Cruz, Rachelle. Phillips, Carl. (Nov 26, 2016). “The Student of Color in the Typical MFA Program,”, Larson, Sonya. "Thinking Through the Yi-Fen Chou Affair,", Zhang, Jenny. "Cante Moro," in Disembodied Poetics: Annals of the Jack Kerouac School, edited by Anne Waldman and Andrew Schelling. "Great Poets Who Are Actually Asian and Not White Guys Pretending to be Asian," Quartz.
Ben-Oni, Rosebud (editor). Lit Hub. Sharma, Nina. “On the Response to Junot Diaz’s ‘MFA vs POC'” (blog). Medina, Pablo. The Mirror Diary: Selected Essays. [$5]. "The Real Yi-Fen Chou: What a Fake Chinese Poet Taught Us About Actual Asian Poets,", ← On Erasure: Quotes from Robin Coste Lewis's Lecture 'The Race Within Erasure', First Book Donations to De-Canon Popup Library →, De-Canon: A Celebration of Our Summer Events & A Look Forward, De-Canon: A Visibility Project :: Summer 2018 @ Milepost 5, On Diaspora & Culture As Plurality: A Conversation With Viet Thanh Nguyen, Owning the Means of Production, Part 2: POC-Edited Literary Journals, Owning the Means of Production, Part 1: POC-run Presses, Upcoming Poetry Book Prize Contests for POC Writers. 1994. [2015-10-11] Yu, Timothy. [2017-11-27] Lee, Janice. Jul 2010. 1849 Editions. When writing an introduction, you should typically use a ‘general to specific’ structure. “On Workshop Strife,” Pleiades. [2014-05-05] Mura, David. Delany, Samuel R. About Writing: Seven Essays, Four Letters, & Five Interviews. Barot, Rick.
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